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mirror scene

the scenes sleep supplied after two stuck days

1885
robert louis stevenson

photo: henry van der weyde, 1895 — public domain

robert louis stevenson had carried one idea for years: a person can hold two opposing selves. he needed what he called “a body, a vehicle” for it. he wrote and destroyed one attempt. then, ill and in debt in 1885, he dreamed the scenes that gave the idea a plot.

his wife fanny woke him because he was crying out in his sleep. stevenson protested: “why did you wake me? i was dreaming a fine bogey tale.” the dream supplied two or three complete scenes. they included the window scene and the moment when the pursued hyde takes the powder and changes.

i had long been trying to write a story on this subject... for two days i went about racking my brains for a plot of any sort; and on the second night i dreamed the scene at the window.

stevenson, a chapter on dreams
the dream turned an old idea into scenes he could write

stevenson completed the first draft in a few days. after fanny criticized it, he burned the draft and wrote it again at the same speed. the book sold forty thousand copies in six months. its title became a common term for a divided self.

three years later, stevenson explained his use of dreams in “a chapter on dreams.” he described lifelong recurring dreams and a deliberate habit of attending to them. he called their imagined makers the little people, or his brownies. in his words, they did “one-half my work for me while i am fast asleep.” jekyll and hyde came from an established creative practice, not one isolated night.

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